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{"id":1863,"date":"2019-08-05T21:12:40","date_gmt":"2019-08-06T00:12:40","guid":{"rendered":"http:\/\/52.255.179.21\/cinematografia\/1931-las-luces-de-bsas-2\/"},"modified":"2022-07-05T09:22:02","modified_gmt":"2022-07-05T12:22:02","slug":"1933-melodia-de-arrabal","status":"publish","type":"page","link":"https:\/\/fundacioncarlosgardel.org\/?page_id=1863","title":{"rendered":"1933 Melod\u00eda de arrabal"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tANTERIOR<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tVOLVER A CINEMATOGRAF\u00cdA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tSIGUIENTE<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t1933<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tMelod\u00eda de arrabal<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDIRECCI\u00d3N<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Louis Gasnier<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alfredo Le Pera<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Harry Stradling<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Carlos Gardel, Marcel Latt\u00e9s, Jos\u00e9 Sentis, Horacio Pettorossi, Ra\u00fal Moretti y la Orquesta de Juan Cruz Mateo.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Carlos Gardel, Imperio Argentina, Vicente Padula, Jaime Devesa, Manuel Par\u00eds, Jos\u00e9 Arquelles, Helena D\u2019Algly, Felipe Sassone y otros.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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5 de abril de 1933. Cine Porte\u00f1o de Buenos Aires<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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—<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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—<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Estudios Paramount de Joinville, Par\u00eds, entre octubre y noviembre de 1932.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Francia<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SINOPSIS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La vida de Roberto (Carlos Gardel) transcurre en un bar de los suburbios entre el canto y las cartas. All\u00ed, junto a su socio, vive estafando a cuanto desprevenido cae en la mesa de juego. Una noche se cruza en su camino una joven profesora de piano (Imperio Argentina) que le oye cantar y le ofrece la posibilidad de hacerlo profesionalmente. La fama y el amor le dan a Roberto la oportunidad de redimirse.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NOTA<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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—<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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AFICHES<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"cine-1933-melodia-de-arrabal-a\"<\/figure><\/a><\/div>
\"cine-1933-melodia-de-arrabal-b\"<\/figure><\/a><\/div>
\"cine-1933-melodia-de-arrabal-c\"<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Estamos actualizando la cinematograf\u00eda, disculpe las molestias.<\/b>
<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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SUSCR\u00cdBASE AL NEWSLETTER <\/b>Y LE INFORMAREMOS CUANDO EST\u00c9 DISPONIBLE<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tANTERIOR<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tVOLVER A CINEMATOGRAF\u00cdA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tSIGUIENTE<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ANTERIOR VOLVER A CINEMATOGRAF\u00cdA SIGUIENTE 1933 Melod\u00eda de arrabal DIRECCI\u00d3N Louis Gasnier GUI\u00d3N Alfredo Le Pera FOTOGRAF\u00cdA Harry Stradling M\u00daSICA Carlos Gardel, Marcel Latt\u00e9s, Jos\u00e9 Sentis, Horacio Pettorossi, Ra\u00fal Moretti y la Orquesta de Juan Cruz Mateo. PROTAGONISTAS Carlos Gardel, Imperio Argentina, Vicente Padula, Jaime Devesa, Manuel Par\u00eds, Jos\u00e9 Arquelles, Helena D\u2019Algly, Felipe Sassone y […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1497,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-1863","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1863"}],"version-history":[{"count":19,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1863\/revisions"}],"predecessor-version":[{"id":7106,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1863\/revisions\/7106"}],"up":[{"embeddable":true,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1497"}],"wp:attachment":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}