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{"id":1876,"date":"2019-08-05T21:23:24","date_gmt":"2019-08-06T00:23:24","guid":{"rendered":"http:\/\/52.255.179.21\/cinematografia\/1933-la-casa-es-seria-2\/"},"modified":"2022-07-05T09:11:32","modified_gmt":"2022-07-05T12:11:32","slug":"1933-esperame","status":"publish","type":"page","link":"https:\/\/fundacioncarlosgardel.org\/?page_id=1876","title":{"rendered":"1933 Esp\u00e9rame"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tANTERIOR<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tVOLVER A CINEMATOGRAF\u00cdA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t1933<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tEsp\u00e9rame<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Adelqui Millar<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Luis Bay\u00f3n Herrera y Manuel Romero<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Ted Pahle<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Carlos Gardel, Sof\u00eda Boz\u00e1n, Pedro Quartucci, Gloria Guzm\u00e1n, Manuel Kuind\u00f3s, Vicente Padula, Pedro Quartucci, Carlos Baeza, Jorge Infante, Marita \u00c1ngeles, Jos\u00e9 Agueras y otros.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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23 de septiembre de 1931. Cine Capitol de Buenos Aires.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Movietone<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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—<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Estudios Paramount de Joinville, Par\u00eds, en mayo de 1931.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Francia<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SINOPSIS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A Rosario no le agrada la idea de casarse con el pretendiente elegido por su padre. Ella sue\u00f1a, d\u00eda y noche con un cantor llamado Carlos de Acu\u00f1a (Carlos Gardel) y est\u00e1 dispuesta a todo para hacer realidad su anhelo. Tras muchas peripecias, incluyendo una fuga, Rosario logra unir su afecto con Carlos, ya que \u00e9ste descubre que su rival era, en realidad, un vulgar e inescrupuloso delincuente.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NOTA<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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—<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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AFICHES<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"cine-1933-esperame-a\"<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Estamos actualizando la cinematograf\u00eda, disculpe las molestias.<\/b>
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SUSCR\u00cdBASE AL NEWSLETTER <\/b>Y LE INFORMAREMOS CUANDO EST\u00c9 DISPONIBLE<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tANTERIOR<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tVOLVER A CINEMATOGRAF\u00cdA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tSIGUIENTE<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ANTERIOR VOLVER A CINEMATOGRAF\u00cdA SIGUIENTE 1933 Esp\u00e9rame DIRECCI\u00d3N Adelqui Millar GUI\u00d3N Luis Bay\u00f3n Herrera y Manuel Romero FOTOGRAF\u00cdA Ted Pahle PROTAGONISTAS Carlos Gardel, Sof\u00eda Boz\u00e1n, Pedro Quartucci, Gloria Guzm\u00e1n, Manuel Kuind\u00f3s, Vicente Padula, Pedro Quartucci, Carlos Baeza, Jorge Infante, Marita \u00c1ngeles, Jos\u00e9 Agueras y otros. ESTRENO 23 de septiembre de 1931. Cine Capitol de Buenos […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1497,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-1876","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876"}],"version-history":[{"count":13,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1876\/revisions"}],"predecessor-version":[{"id":7100,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1876\/revisions\/7100"}],"up":[{"embeddable":true,"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=\/wp\/v2\/pages\/1497"}],"wp:attachment":[{"href":"https:\/\/fundacioncarlosgardel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}