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{"id":1720,"date":"1931-01-01T15:37:02","date_gmt":"1931-01-01T18:37:02","guid":{"rendered":"http:\/\/52.255.179.21\/consagracion-internacional-el-cine-las-giras-2\/"},"modified":"2022-06-29T12:05:28","modified_gmt":"2022-06-29T15:05:28","slug":"filmacion-en-joinville","status":"publish","type":"post","link":"https:\/\/fundacioncarlosgardel.org\/?p=1720","title":{"rendered":"1931 . Filmaci\u00f3n en Joinville"},"content":{"rendered":"<p><a name=\"1931\"><\/a>Dos satisfacciones se grabaron poderosamente en su memoria. En Niza comparti\u00f3 cartel con la famosa Mistinguett y conoci\u00f3 a Charles Chaplin, sin dudas, la gran figura cinematogr\u00e1fica del momento. El otro grato acontecimiento fue la visita de su entra\u00f1able amigo Irineo Leguisamo en el lujoso Hotel Negresco.<br \/>\nEn mayo, en Joinville, en las afueras de Par\u00eds, bajo la direcci\u00f3n del chileno Adelqui Millar, filma \u201cLuces de Buenos Aires\u201d y firma contrato por otras dos pel\u00edculas. Realiza una breve serie de grabaciones en Par\u00eds.<br \/>\nA su regreso, se vincula con Armando Defino a fin de que se haga cargo de sus finanzas. Act\u00faa en el teatro Broadway y es criticado por interpretar canciones internacionales y en napolitano. Despu\u00e9s de volver al escenario del Artigas de Montevideo, donde es fren\u00e9ticamente aclamado, y realizar una nueva serie de grabaciones, se embarca en el \u201cConte Rosso\u201d para reencontrarse, otra vez, con Europa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dos satisfacciones se grabaron poderosamente en su memoria. En Niza comparti\u00f3 cartel con la famosa Mistinguett y conoci\u00f3 a Charles Chaplin, sin dudas, la gran figura cinematogr\u00e1fica del momento. El otro grato acontecimiento fue la visita de su entra\u00f1able amigo Irineo Leguisamo en el lujoso Hotel Negresco. 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